
Projects 2021/2022
October 19, 2021
Projects 2023-2024
October 6, 2023Projects 2022/2023
Projects 2022-2023
CLOSE UP
We are excited to share the 17 powerful documentary projects that are selected to participate at the Close Up 2022-2023 Edition. This year’s cohort of directors hail from Afghanistan, Algeria, Armenia, Azerbaijan, Georgia, Iran, Israel, Jordan/Palestine, Lebanon, Morocco, Tunisia and Turkey.
BETWEEN WORLDS
Abdul Ghafar Faizyar
Afghan actor, Afshin, feels alive on stage. Being sentenced to death for his art in Afghanistan, he flees to Europe in search of life and freedom. For fifteen years now he is caught in a limbo in the Swiss Alps, without a homeland, without a family, without an audience and permission to work. With no permission to leave Switzerland, he decides to cross the borders anyway for a crucial film casting in Germany.
BITTER SUGAR
Ana Barjadze
Nika, Gika and Levan are three brothers from a small town in Georgia, navigating life by only relying on each other, while their absent mother provides for the family from abroad. This is a universal and intimate story about the unique bond between brothers… And the children who are abandoned by parents who are forced to work abroad.
CHASING THE CRISIS
Parviz Majidov
The film follows the personal journey of the filmmaker and the effects of the Second Nagorno-Karabakh War on the youth in Azerbaijan. Exploring memories and dreams as a way to access personal and collective traumas, the film provides an inside look into the devastating effects of the war and the growing antiwar resistance movement in Baku.
DEPOT-VENTE
Director/Producer: Cherine Karam
After moving to a new country for love, a filmmaker creates a loving portrait of a Beirut thrift shop that embodies the spirit of her home in Lebanon.
EVER SINCE I KNEW MYSELF
Maka Gogaladze
I, the daughter of a school teacher and high-maintenance mother, launch a journey around post-Soviet Georgia to observe children in the education process and reflect on my childhood experiences. During this quest, which is accompanied by my conversation with Nino, my mother, I explore the implementation of power in intergenerational relationships and challenge my ability to control power of the filmmaker while enframing reality.
OH,HEART DON’T BE AFRAID
Ana Kvichidze
Producers Avtandil Khorava & Mariam Bitsadze
Dachi is a transgender girl from a religious village in Georgia, oppressed by a religious society, and even their own family. Dachi finds an old witch who teaches them her magic spells, empowered, Dachi begins to change reality.
HOMEMADE MULBERRY VODKA
Anzhela Frangyan
A filmmaker and a soldier who both experienced the war in Nagorno-Karabakh, set off on a road trip to overcome the survivor’s guilt, returning to the wartorn areas, towards a common search for a renewed, mulberry-infused taste of life. Passing by fields of mulberry trees, we look for the region’s famous homemade mulberry vodka – something our friends from the Yerevan have asked for. But are they ready to listen to the stories that we will take with us as well?
I LOOK LIKE MY MOTHER
Amina Maher
The film follows Amina Maher’s intimate and courageous journey to free herself from the constraints of norms, taboos and traditions. Her coming out as a trans woman, she pours her energy into her fight against rape culture, the patriarchy and her engagement for a future beyond cis-normativity. “Ten” (2002) by Abbas Kiarostami recorded ten-year-old Amina sitting in the passenger seat of her mother’s car without her consent. Now, she has taken the wheel, driving her filmmaker mother, Mania Akbari, through Berlin – in a new body and with a new name, Amina.
ONE OF THOSE CREATURES
Ali Ozkul
A body-thriller documentary that delves into the complex relationship between identity and the body, told through the intersecting emotions of two cousins’. The film dives into close relationship of two men and the connection between self and identity.
OUR SEEDS
Erhan Arik & Meryem Yavuz
A farming couple lives with their children in a village, far from the city, in northeastern Turkey. Every spring, they sow 1500 years-old wheat seeds, that their family inherited from their ancestors, and when time is, they grind the grain in their mill and make the flour into bread. Although the harvest of this family-seed is difficult and its yield is low, they believe that this heritage is a source of life. The farming couple’s faith in nature begins to be tested by the emerging dreams of their children and the test deepens as the harvest of this year is harder than usual.
RED INK
Redha Menassel
This documentary tells the fabulous epic of El Manchar (The Saw), the first satirical newspaper of the Arab world of the 90s in Algiers. Between learning about freedom of expression and a fierce fight against Islamist terrorism, these heroic cartoonists and journalists left their mark on Algerian society in indelible red ink. This story, 30 years later, takes humour as a weapon of resistance that flourished during the “Hirak”, but also echoes with the freedom of press which is once again heavily oppressed in Algeria.
ROSA’S ILLUSION
Anas El Hatimi
Amine, a young researcher in the traditional arts, is transformed every evening into Rosa, a drag-queen who dances and sings poems dating back several centuries. He has a crazy project, that of creating the first voguing troupe in the Maghreb, a “House” made up of young artists who live and practice their art in their countries of origin. Rosa tries through her art to make known her fight for respect and equality. From Casablanca to New York, this film is a unique immersion in the hidden world of North African artists.
TRASH CEMETERY
Firas Rebiai
For the last 20 years, Borj Chakir’s landfill grew dwarfing & ravaging the once peaceful El Attar village. Ridha, a popular singer in that community, refuses to go down without a fight: His crusade will be against this monster that feeds on trash coming from far beyond Tunisia’s borders. But as ravaging this landfill is to that community, it constitutes the only lifeline for survival for the marginalized ragpickers called “Barbesha”, like Marwan & his peers, whose number is only increasing.
WE
Grigor Poghosyan
Biker Dero, dancer Anahit, musician Albert, teacher Robert and basketball trainer Artush are romantic creators who are living in once glorified but now despised town Vanadzor. They love the town, but does the government love the town too? Robert and Artush lost their youth dreams in Vanadzor during the collapse of Soviet Union. Are Dero, Anahit and Albert going to get the same fate? Together five portraits create a description of a person’s fate in a town stuck between the Soviet Union and modern world.
WHY I LEFT
Fayssal Zaoui
Salvador is a young Cameroonian who left his native village in pursuit of his dream to immigrate to Europe by walking, defying all odds. When he is so close to his goal, he meets Moroccan artists who open his eyes to his true quest. The meeting with Moroccan artists opened the door to another journey, of art and the search for oneself. Today Salvador lives and works in Morocco, he is an established painter and actor. This path, which he did not suspect, has made him an accomplished individual. Perhaps he had to leave his country and suffer a journey full of dangers to find his way?
YALLA PARKOUR
Areeb Zuaiter
When filmmaker Areeb Zuaiter lost her Palestinian mother, she lost her connection to Gaza. With all the memories from her childhood destroyed, she sets out on a quest to connect with a young man she sees in a video doing parkour among ruins in Gaza. With Ahmad as her guide, she explores life in Gaza, and rebuilds her memories of her mother and her childhood. In this time when Gaza and its people are being devastated every day, here’s a portrait of a tormented city and the perseverance of its people.
YUNG YIDDISH
Noa Ben-Shalom
In his journey to save Yiddish libraries and cultural treasures, Mendy Cahan visits the homes of the last Yiddish speakers, and gives their beloved books a home in the center he established at Tel Aviv Central Station. However, his life’s work to salvage the Yiddish cultural heritage is facing yet another threat—the closing of the central bus station in Tel-Aviv, home to Mendy’s book center ‘Yung Yiddish’. The movie will tell the story of a dying culture and the hopeless struggle of a single Don Quixote to save it.